KC Holloway writes at the intersection of film, photography, and the visual arts, drawing on a deep engagement with noir cinema, the Pictures Generation, and the image as a site of memory and loss. The work moves fluently between literature and philosophy, tracing how music, art, and the moving image shape the ways a self is remembered, reproduced, and undone. Continental thought and film theory run throughout, in a prose that thinks in images and remembers in ideas. Recurring preoccupations include the double, the archive, the copied image, and the vanishing line between a life and its documentation. The abiding question is what remains of a self once everything about it has been recorded.
Publications forthcoming.